From Mountain Studios to the Casino, Montreux gave birth to legendary albums. Listen to them, then go see where they were created.
Recorded in Montreux · 1968
Bill Evans at the Montreux Jazz Festival — Bill Evans
Recorded at the Casino on 15 June 1968, with Eddie Gómez on double bass and Jack DeJohnette on drums. The album won the 1969 Grammy for Best Jazz Instrumental Album; its cover shows the Château de Chillon.
The concert of 22 June 1969, Ella Fitzgerald’s first appearance in Montreux, with Tommy Flanagan on piano, Frank de la Rosa on double bass and Ed Thigpen on drums. Left in the festival archives, it was only released on DVD in 2005, then on CD and vinyl on 20 January 2023.
The concert of 12 June 1971 at the Casino de Montreux, backed by King Curtis and the Kingpins, the last time Aretha Franklin performed with the saxophonist, who was murdered two months later. The hall burned down in December of the same year.
The most famous riff in rock, from the album “Machine Head” recorded in Montreux in December 1971 with the Rolling Stones’ mobile studio. The lyrics recount the Casino fire, the smoke over the lake and “Funky Claude” (Claude Nobs) saving the audience.
The Stones were the very first clients of Mountain Studios: in late 1975 they put the finishing touches to “Black and Blue”, the album of the guitarist auditions from which Ronnie Wood emerged.
Yes settled in Montreux for months to record this album marked by Rick Wakeman’s return on keyboards, notably with “Awaken”, one of the peaks of progressive rock.
In the wake of “Going for the One”, the Yes keyboardist stayed on in Montreux for his solo album, recorded at Mountain Studios with Chris Squire and Alan White.
The progressive rock trio recorded part of this ambitious double album at Mountain Studios, where each member has a side of his own. It includes the famous “Fanfare for the Common Man”.
The first Queen album recorded partly in Montreux, with “Don’t Stop Me Now” and “Fat Bottomed Girls”. Won over, the band bought the studio the following year.
The final part of Bowie’s trilogy with Brian Eno, recorded largely at Mountain Studios in 1978-1979. Bowie, a resident of the region, would return there for five more albums.
Born of an improvised session at Mountain Studios in 1981, this historic duet between Queen and David Bowie, two legends intimately tied to Montreux, became a worldwide number one.
Recorded in September and October 1981 at Mountain Studios, then owned by Queen, produced by David Richards. Set to lyrics by Jean-Loup Dabadie evoking bisexuality, the title track caused a scandal on its release in 1982 despite substantial radio play.
The first of the four albums Chris Rea recorded at Mountain Studios between 1983 and 1986, along with “Wired to the Moon”, “Shamrock Diaries” and “On the Beach”. The guitarist’s artistic rebirth on the shores of Lake Geneva.
One of David Bowie’s greatest hits was born in Montreux: he wrote and demoed it in late 1982 at Mountain Studios, with Nile Rodgers of Chic. First a folk sketch on a twelve-string guitar, the song found its dance direction there before being finished in New York.
The Young brothers self-produced this album at Mountain Studios in the autumn of 1984. Australian hard rock in the hushed calm of Montreux, ten years after the band’s appearance at the festival.
Produced by David Bowie and David Richards at Mountain Studios, the album of Iggy Pop’s great comeback, carried by the hit “Real Wild Child”. The Iguana and Bowie, partners in crime from Berlin, reunited in Montreux.
The second album by The Cross, Roger Taylor’s side project, recorded at Mountain Studios from September to December 1989. Queen’s drummer was playing at home.
Co-produced by Nile Rodgers (Chic, “Let’s Dance”) and recorded between Montreux and New York, the album of Bowie’s solo return after Tin Machine. Funk, jazz and modernity by the lake.
Queen’s final album, completed at Mountain Studios around Freddie Mercury’s last vocal sessions in Montreux. Its cover shows the singer’s statue facing Lake Geneva. The circle is complete.
One of Freddie Mercury’s very last songs, written while gazing at Lake Geneva and the Dents-du-Midi from his Territet apartment, and recorded at Mountain Studios during the “Made in Heaven” sessions.
Blood on the Dance Floor: HIStory in the Mix — Michael Jackson
In January 1997, Michael Jackson spent two weeks in Montreux, between the Tower Suite of the Montreux Palace and Mountain Studios, to finalise this remix album and its flagship track.
A Song for You (Live at Montreux 1997) — Ray Charles
From the concert of 19 July 1997 at the Auditorium Stravinski, released as “Live at Montreux 1997”. Ray Charles performs “A Song for You” with his big band and the Raelettes.
The industrial metal band from Valais, one of Switzerland’s biggest metal exports, recorded “Eternal” at Mountain Studios: Queen’s studio served music right up to its final Montreux days.
Rediscovered in 2022 in the archives of “The Miracle” sessions (1988-1989), this unreleased song carried by Freddie Mercury’s voice moved the whole world on its release in October 2022, more than thirty years after it was recorded. Its official video puts Montreux centre stage, from the lake to Freddie’s statue.
James Blunt produced and recorded this track at the Hana Road Studios in Montreux, founded in 2010. Released in 2025 with DJ CYRIL, this single proves that the town still records today’s hits, long after the golden age of Mountain Studios.