Homes, hotels & restaurants
Hôtel des Crêtes
- Type
- Former hotel / post office
- Address
- Rue du Collège 1, 1815 Clarens
Not open to visitors
Near Clarens station, the former Hôtel des Crêtes welcomed Maurice Ravel in the spring of 1913, come to work there with Igor Stravinsky, lodged close by at the Hôtel du Châtelard, on the orchestration of Mussorgsky’s “Khovanshchina” for Diaghilev’s Ballets Russes. Clarens was then a veritable workshop of twentieth-century music: it was in the village that Stravinsky was finishing “The Rite of Spring”. Raised and converted into flats, the building today houses the Clarens post office.
The Hôtel des Crêtes: a workshop of modern music
An 1865 hotel, the work of Vevey architects
The Hôtel des Crêtes was built in 1865 for Charles Fatio, then rebuilt in 1874: this second building is said to be the first work of the Vevey architects Ernest Burnat and Charles Nicati. Set against the heights of Clarens and its two castles, the Châtelard and the Crêtes, it was one of those comfortable guesthouses that, at the turn of the century, drew to the Riviera a clientele of artists and travellers (MyMontreux).
Spring 1913: Ravel, Stravinsky and Diaghilev
From mid-March to mid-April 1913, Maurice Ravel stayed at the Hôtel des Crêtes. There he composed the first two of his “Trois poèmes de Stéphane Mallarmé” and joined Igor Stravinsky, lodged close by at the Hôtel du Châtelard.
Together, at Serge Diaghilev’s request, the two composers orchestrated fragments of Modest Mussorgsky’s “Khovanshchina” for the Ballets Russes. At the same moment, in the village, Stravinsky was putting the finishing touches to “The Rite of Spring”, whose Paris premiere a few weeks later would cause the famous scandal. For the span of a spring, Clarens was thus the workshop of two of the scores that would reopen the musical twentieth century.
From palace to post office
The hotel did not survive as such. The building was raised and then converted into flats, and it now houses the Clarens post office, on the Rue du Collège, behind the station. Nothing there marks the guests of 1913 any longer, but the address remains one of the few points on the Riviera where one can say that “The Rite of Spring” and the “Khovanshchina” orchestrated by Ravel and Stravinsky shared the same spring.
Related artists :Maurice RavelIgor Stravinski